The type of films Filipino filmmakers make reflect the type of people most Filipinos are — people lacking in substance. Just looking at the list of entries for this year’s Manila Film Festival, you can already tell that not a lot of thinking was involved in the process of making them. Even the titles leave nothing to the imagination of the audience. Most of the actors playing the lead roles are the same ones we’ve seen since we were kids or some hot young flavor-of-the-month of one producer or another.
Take the 13th instalment of Shake, Rattle and Roll, and ask: What else can people expect to get out of it? Not much, obviously. People are probably watching it for the eye candy. Every year the film features starlets parading and pouting for the camera hoping to look cute enough to win an award. That’s right. Talent in acting is not really a criterion for winning an acting award in the Philippines.
In the case of the film Enteng ng Ina Mo starring Ai Ai delas Alas and Vic Sotto; the actors had nothing to work with in terms of storyline and dialogue. The characters just basically rehashed their roles specifically with Vic playing his Enteng character from the 1980s TV series Okay ka Fairy ko and Ai Ai reprising her winning role in last year’s Tanging Ina Mo. It’s another one of those things in the Philippines we can refer to as scraping the bottom of the barrel. The producers are obviously milking the franchise until it bleeds.
And what about the new Panday 2 movie? First of all, how does Senator Ramon “Bong” Revilla Jr find the time to make movies? Isn’t he supposed to be spending more time deliberating policies in the Senate instead of delivering cheesy lines? Aren’t there enough men to take over the role Senator Revilla inherited from the late Fernando Poe Jr? Second, the new Panday movie is being criticized for being a blatant rip-off of the 2010 Hollywood blockbuster remake of Clash of the Titans. All the film needed was Medusa to complete the cast of Perseus’s nemesis. There was nothing special about the “special” effects either.
How do these filmmakers sleep at night knowing that they are not really creating a work of art but just copies of some other people’s work? They are not even making people think; they are not even stirring emotions or provoking people into doing something with their lives; they are not even inspiring young people to aspire for greatness. What they are producing is just stuff you can discard after one use. In short, most Philippine films are a total waste of the people’s time and money.
Films are supposed to be cultural artifacts that reflect our culture and, in turn, affect us and our outlooks towards life. Most films are considered art, for entertainment and a powerful tool for educating — or indoctrinating — society. But nowhere can we find our culture or any significant message of consequence in our films. Films are powerful tools of communicating ideas and who we are as a people. Unfortunately, our films tell us and everyone else that we are shallow and superficial.
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